Author Archives: Bill Rough

On Stephen Karam’s THE HUMANS

You went to New York and you didn’t see Hamilton? You went to see The Humans? A little contemporary dramedy about a typical dysfunctional family, which rode onto Broadway at a time when audiences are consumed with big budget musicals featuring upbeat scores, body mikes, and wild spectacle?
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The 2016 Tony Awards: An Affair to Remember

Customarily, I’m not one to be caught up in the competitive suspense generated by the Tony Awards, or for that matter in the many competitions between artists that excite most of us. How can you choose between a great orange … Continue reading

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On Florian Zeller’s THE FATHER

It’s always a risk to see a new show in its early previews. Generally, it takes time and experience in front of an audience for a cast to settle into the meat of their work. But Frank Langella is a … Continue reading

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On THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

Time out here briefly for a quick digression: The National Theatre production of  The Curious Incident of the Dog in the Night-Time will close on Broadway on September 4, in only three more months. I confess  I have not actually seen … Continue reading

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On Lucy Prebble’s THE EFFECT

It was recently announced that the limited New York run of Lucy Prebble‘s “new” play, The Effect, has been extended all the way through September 4.  Furthermore, discount tickets are available online.  Lucky audiences! … and a great motivation for … Continue reading

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On THE CRUCIBLE

  Be patient. It takes a while to tell this story.* I have directed Arthur Miller’s The Crucible twice, and I’ve recently been eager to direct it again. You don’t always get what you want, but a guy can dream. … Continue reading

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Lanie Robertson’s LADY DAY AT EMERSON’S BAR & GRILL

I’ve saved the absolute best of what I took in on my recent five-day New York Theatre binge, for last.  I had in fact planned the whole trip around this performance, and was most grateful the run had been extended. … Continue reading

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